FREQUENTLY ASKED QUESTIONS
Please read our FAQ before sending us a message.
Our product portfolio ranges from corporate and personal printing of flyers, posters, business cards and other paper products to personalised items and gifts. If the product you are looking for is not on our website, please contact us and we will let you know if we can assist you.
You may also use the search bar on the home page to search for a product.
For basic printing and scanning services from size A0 to A4 please visit our associate brand CopyQuick on www.copyquick.mt.
The Optima team can design and take care of your personal design, you may wish to use our online designer from the website to create your own design or you may design your own artwork from scratch using your preferred software.
If you decide to send us your own artwork please follow our guidelines in the FAQ section.
We aim is to complete orders in the shortest time possible. However, we cannot commit to a specific timeframe as it depends on the nature of the order, the time of year and available resources at the time.
Our policy is that orders are completed within 10 working days. If for some reason we are unable to complete your order within this timeframe we will contact you.
If you have a specific deadline which is closer than the two-week time frame, please contact us before placing the order to confirm the deadline.
You will receive two important email notifications:
-Once your order is paid and received by us. In this notification you will receive your order number. Kindly quote this number should you need to contact us; and
– When your order is complete.
If you select the pick-up option, you can proceed to collect your order from the shop when you receive the completion email. Make sure to select the correct pick-up location upon ordering. Upon collection you would need to present the order number received from the email notification.
If you chose the delivery option, you will receive another notification to inform you about the delivery date.
Please check your spam folder as it is possible that the notifications are directed to the spam or junk folder by your email service provider.
The most common problem is that the email notification is directed to your spam or junk folder. Please check your spam and junk folder.
If not, please login into your account and check the order status. Due to technical reasons the order is awaiting your confirmation or is pending payment.
In any difficulties, please contact us.
If 10 working days have passed since you placed the order and did not receive any notifications from us, then something must have gone wrong. Please contact us immediately and quote your order number to track the order.
From the ‘My Account’ section you may view your current details and edit as you wish. You may also change your current password. Kindly note that passwords are private and we do not have access to your password.
From the ‘My Account’ section you may view orders and reorder products.
Please note that certain products, such as mugs, puzzles and lava slates, will not look alike since materials may change or the product may be from a different production batch. Environmental printing conditions play a significant role as well in the output of the product.
Our company has strict privacy and confidentiality procedures and systems in place. Our servers and website are constantly being monitored by reputable service providers and software. Our staff understands that the content of any artwork is confidential and that it abides by a data protection policy. Artworks are never shared or saved for second-hand use. Over the past 20 years our company has been trusted with the printing and copying of highly confidential information, therefore confidentiality is engrained in our daily work practices.
We only entrust reputable providers for payments. We ensure that such providers provide maximum security and constantly maintain and update their systems with the latest security features. We never ask clients to make payments over the phone, through another website or from a mobile app.
We offer two options:
–Pick up option from one of our outlets during opening hours; or
–Delivery to your preferred address in Malta or Gozo. Once your order is completed we will inform you of the tentative delivery date. Delivery dates are fixed based on the schedule set at the time and we cannot commit to the exact timing of delivery. Our delivery person will contact you 30 minutes before reaching your location. If we are unable to reach you on the telephone number given in the order and no one is available to receive the order we will inform you by email and offer you the option to pick up the order from one of our shops. We do not offer a second delivery date. We ask our customers to submit a local number with their order.
We have a standard minimum order value of €20.00 for free delivery. If the order is less than this value, we charge a €5.00 delivery fee. The minimum order value and the delivery charge may change in the future but you will always be notified of such changes through a notice on our website and also prior to confirming the order and submitting payment.
We only deliver to Malta and Gozo.
On submitting your order, we assume that the content of the order was checked and confirmed. We will treat your order as the final submission. However, we do understand that clients may notice a mistake or may have second thoughts about their order. In that case, contact us immediately and if it is possible, we will accept the changes. We can only make changes if the order has not been printed and finalised. We operate a tight production schedule, and we may not be able to carry out the changes required.
On submitting your order, we assume that the content of the order was checked and confirmed. We will treat your order as the final submission. We do not carry out any proof reading and for confidentiality purposes we do not read through the content of the artwork. Therefore, any mistakes, irrespective of how noticeable they may seem, may go unnoticed.
On submitting your order, we assume that the content of the order was checked and confirmed. We will treat your order as the final submission. You will appreciate that different clients have different tastes and preferences and may have different reasons for presenting such artwork. Therefore, is it not feasible to question every artwork received.
-If you are unsure about your artwork, you can request to review it with one of our designers.
-Sometimes we issue a sample for paper products and in some cases we can also issue a visual however, since visuals are seen with the RGB colour model for screens, the colours may not represent the actual printed colours on the final product.
There are three different ways to create your design.
Use our Templates: For certain products we can provide you with a template to create your own designs. Our template is set with the basic dimensions and may offer you some inspiration or boundaries to start off.
Design here online: Our online designer is available for certain products. Choose the ‘Design here online’ if you want to quickly and easily customize your product. This feature offers a variety of layouts to choose from.
Upload a full design: Uploading your own files offers full flexibility and control over your design Whether you have creative experience or your very own designer, this is the perfect way to create your product. However please respect the printing standards for the bleed, trim and safe zones and printing resolution.
Always remember to check the text for spelling and grammar and make sure no important information is missing from the artwork before supplying the finished file to us for printing.
One should also ensure that the dimensions are correct including bleed, trim and safe zones. The printing resolution is equally important.
Please note that the printing process uses the CMYK colour spectrum and images will display brighter on a screen. Artwork should be created in CMYK colour profiles for a better representation of how the artwork will look once printed.
The printing file once submitted to us is presumed to be confirmed and final.
Colours displayed on screen will always look brighter and more vibrant than the final printed colours, so you may need to compensate for this when editing your images.
Artwork displayed on light emitting screens such as computer monitors, TVs, tablets and smartphones uses Red, Green and Blue (RGB) colour values.
Cyan, Magenta, Yellow and Black (CMYK) are the basic ink colours that printers use to build a full colour print.
We recommend previewing and editing your files in CMYK colour profile. You may choose to adjust your brightness (for photos), or CMYK colour values (for vector/text-based designs).
A PDF, which is short for Portable Document Format, was created to be the most universal way to communicate with documents. Submitting a file as a PDF allows the creator to control many aspects of their file, such as verifying colour mode, embedding fonts, compressing file size, and combining files.
Most file formats you use to print at home or in your office are not designed to include all the information that a printer would need. For example, Microsoft Word prints by using the information in the file that you are working with as well as information stored on your computer, such as font and color settings. If you were to send that file to a printer, they would not have the same information that your computer has. When you save a file as a PDF, you are essentially packaging all of the components of your design into a single file. This ensures that whoever is viewing your file on their own device can view it as you intended.
Having said this it is still very important to ensure that any unique fonts are embedded in the pdf file.
When you embed a unique font, you are allowing your PDF file to display text the way you designed it, whether the computer you are viewing your file on has the font or not.
Unembedded fonts can be an issue that goes unnoticed until the final print is received. Some programs will automatically replace an unembedded font with a different font, if the printer’s computer or program doesn’t have the font downloaded.
You may have used a fun font such as “Orange Slices” when designing your file on your computer. However, when it is sent to another person, that person’s computer may not have “Orange Slices” installed! In this case, that person’s computer will use a default font (such as “Arial” font) to display everything that was designed in “Orange Slices”.
PDFs allow you to check if the fonts are embedded. It is as easy as clicking the “Ctrl” and “D” keys at the same time. Then a pop-up window will appear and under the “Fonts” tab, there will be a list of all the fonts used in the file and state if they are embedded or not.
In addition to a larger file size, JPG, JPEG or PNG files have several limitations compared to a PDF file. A PDF file has color formatting information, such as color mode and color profile information which allows the printer to get more insight on the client’s intended colours and gives the printer the ability to make color adjustments as necessary.
Sending large file sizes can be tricky and take a long time! PDFs can compress the size of the file without decreasing resolution quality.
Most programs offer the ability to ‘Export’ or ‘Save As’ the file to a PDF even if your computer does not have a professional PDF editor. Once you have converted your file to a PDF, you can view your new PDF with any pdf reader that you are able to download and use for free!
Resolution is a critical characteristic of your design and will determine the quality of your final print. Having artwork or images included in your artwork at low resolution is a very common issue especially if the source of the image is a simple search from the internet. Artwork in low resolution is often not detected when viewed on a small screen such a smartphone or tablet. The only way to fix this problem is to replace the artwork with a high-resolution image or file. There is no way a printer can resolve the problem of a low resolution file.
300 PPI (Pixels Per Inch) or 300 DPI (Dots Per Inch) is the optimal printing resolution for digital printing presses. This applies to all print products, from small products like business cards and keychain printing to larger products like poster and booklet printing. Designing a file in lower than 300 PPI will lead to blurriness and pixelation. On the other hand, there is no point in designing at higher than 300 PPI. As far as the eye can tell, there will be no difference in print quality. It will only make your file significantly larger and creating problems to upload, download and process a printing file.
In practical terms 300PPI means that every inch of your artwork contains 300 pixels (or dots). If converted to centimeters it means that for every 2.54cm there are 300 pixels.
Using the example of a design file size 21.59cm (8.5”) wide by 27.94cm (11”) tall with a 300PPI resolution the total number of pixels should be:
⦁ 2550 pixels wide (300 pixels/2.54cm * 21.59 or 300 pixels/inch * 8.5 inches) and
⦁ 3300 pixels tall (300 pixels/2.54cm * 27.94 or 300 pixels/inch * 11 inches)
We recommend that you set the resolution to 300 PPI before starting to design your file. Increasing the resolution after you start is still likely to result in blurriness/pixelation.
“No bleed” printing is the traditional print on demand printing we are used to doing at a local stationery shop, at home or at the office.
“No bleed” printing is when your desktop printer prints a standard A4 sheet of paper and leaves a thin white margin around the sheet. Having said this, all domestic, commercial and industrial printers, with the exception of a very few, leave a white border around the edges of the paper. This means none of the printing is done till the edge of the paper.
So, what happens if you want to print to the edge? What happens if you want the background of your design to extend all the way to the edge?
Your desktop printer at home can’t print it. Neither can the slightly larger printer you have at work. You think: “maybe printing companies have a special printer that can print edge-to-edge”.
Printing companies still experience the same white border around the paper’s edge. However, the printer will go through a simple but important procedure so that their customer’s products have printing all the way to the edge of the sheet.
“Full bleed” printing refers to when a printing product has printing to the edge of the sheet.
To produce a full bleed A4 (297mm by 210mm) size print the following basic steps are followed:
⦁ The digital file needs have the artwork extended to around 310mm by 220mm.
⦁ The printer will print the artwork on SRA4 (320mm by 225mm) paper (this will include the white border as any standard A4 print).
⦁ Once printed, a guillotine cutter will cut off approximately 5mm from each side of the print to arrive at final A4 size print. This way the final product has printing to the edge of the sheet!
You are able to request for your file to print “no full bleed”, so that your file contains 0.2” white border on all 4 sides. This is the ideal choice when important content is getting cut off and you are not able to fix your file.
If your design has a white background, then you do not need to ask for a full bleed printing. Ask for a full bleed printing when the design has a solid colour background or border, and you wish to extend to the edge of the sheet.
Full bleed printing requires larger sheets and more technical labour resources. The price is more expensive then no full bleed printing. If you are looking to save money, no full bleed printing might be able to keep you within your budget!
Your file will always need to be designed properly for full bleed printing. Otherwise, there is a high risk that important content from your file will be partially or completely cut off.
The parameters are simple for a “full bleed” printing. Follow the information below regarding safe area, trim, and bleed. This way important details within your artwork will be placed and printed correctly.
These elements compensate for industry standard variations that occur during the printing, binding and trimming processes. These variations are small, normally not more than 2 to 3mm, but are highly critical and will impact on the final product.
It is very normal that shifts in the print occur from one page to another especially when printing on two sides of a sheet. The bleeds and safe areas allow for safe tolerances.
Trim size represents the dimensions of your final product. To arrive at a full bleed print the artwork must extend beyond the trim size to the “bleed” line. This is done to avoid white borders at the edge of your print once it is trimmed to size. When the artwork is prepared it is normal to show small lines in the upper and lower corners called the “crop marks” to indicate where the artwork is intended to be trimmed.
This is an area inside the trim area. The safe area is a smaller area than the trim size and therefore smaller than the final print size. The safe area is where you should place your most important information of your design. Any content outside of this area is in risk of being cut off during the trimming process.
The distance between the trim line and the safe area line may be as little as 3mm or as large as 10mm. There is no fixed rule on this since it very much depends on the additional finishing processes required and the use of the print.
Bleed is the portion of your design that extends past the trim size. Bleed is cut off when the print is trimmed to the final size. Its sole purpose is to make sure your design or image reaches the very edge without leaving any unsightly white edges. The bleed is commonly between 3mm and 10mm larger than the trim size but again same rule as the safe margin - it really depends on the print size and how it will be trimmed.
There is no fixed rule as to the size of the artwork. We can print any custom size if it is technically possible and feasible.
One major consideration which is often overlooked especially when printing invitations is the availability of envelopes. We strongly recommend that if the product will be delivered to the recipient in an envelope, you do check the availability of envelope sizes and then plan the artwork to fit the envelope. Normally the print is between 5mm to 10mm smaller than the envelope size. However, this depends on the material being used and the additional contents that will go into the envelope.
Same principle applies if the artwork is a poster that will be framed or put in a folder. Start off by checking the size of the frame or folder to make sure that once you have the print in hand it can fit in its intended place.
Standard paper Sizes
The two main common paper sizes are the American and European ISO standard sizes. The ISO A series is the most frequently used page measurement standard. The ISO B sizes are used for poster printing while ISO C is meant for envelopes. The SRA paper sizes are standard sheet sizes used in the printing industry mainly to produce full bleed prints.
All paper dimensions are specified in inches or millimetres. All our artwork and printing sizes are in millimetres. Therefore, to avoid unnecessary problems we will ask our clients to quote all dimensions in mm.
ISO A paper sizes
The A-series consists of a logical set of paper sizes. The largest size (A0) measures one square meter. The height/width ratio remains constant (1:1.41) for all sizes. This means you get the A1 size by folding an A0 paper in two along its shortest side. Then fold the A1 size in two to get an A2 size paper, and so on… A-sizes are used to define the finished paper size in commercial printing: A4 is for office documents, A5 is for notepads and A6 is for postcards.
This drawing illustrates the principle behind the ISO A series:
When choosing paper or cardstock it is important to consider paper weight, which is a big part of the look and feel of your wedding invitations, greeting cards, and other printing projects. The right weight can create your desired first impression. Colour, texture and finish are other factors one will consider when choosing the paper.
If you have experience with printing or have purchased paper for printing you may have come across the acronym “GSM.”.
What Does GSM Mean?
Although in practice different paper is distinguished by thickness in the paper and pulp industry, paper is measured by grammage and not thickness. The area density of a paper product is expressed in grams per square meter (g/m2), or the weight of one sheet of 1-metre x 1-metre card.
Grammage is more commonly referred to by its unofficial abbreviation: GSM. While grammage is technically the proper term for paper weight, printers and customers refer to GSM as the “weight” of a card.
It is worth noting that a 300gsm sheet of card is very likely to be thicker than a 100gsm sheet and very often it is correct to assume that the higher the grammage the thicker is the paper. However, one cannot use the grammage to determine the exact thickness of a paper since there are other factors such as the material composition and density that determines the weight of a paper.
Paper products in different GSM classes are better suited for certain applications. For instance, paper with a lighter weight is generally designed for printing and writing. In contrast, heavier and thicker paper is ideal for specialised applications, such as invitations, greeting cards, and business cards.
Business cards usually come in the heaviest card available. As they’re designed to be passed around between contacts, business associates and customers, business cards need to be thicker and durable, explaining why they’re made from high-GSM durable card.
On the other hand, flyers promoting a sale or event are usually disposable, hence why they’re made from a light, low-GSM paper.
The chart below gives you a rough idea of the feel of different products in each GSM range.
The right choice of card thickness or GSM ultimately depends on your needs and preferences.
Our range of paper: